Friday was an interesting day...
I got treated to lunch by a former supervisor. I’m enough of a glommer to enjoy a free lunch - it doesn’t happen often so, it’s always a nice treat. Had I known lunch wasn’t on me, I probably would have been more extravagant in my tastes but, it’s the way these things go.
It was an opportunity to catch up, hear about the goings-on in a place after you’ve left it - always a double-edged sword, it can be both a good experience or bad one (bittersweet).
Anyway, it was a nice lunch. There’s a lot going on - good news particularly with the economy the way its been going. I had half expected an offer (of work) to be tabled and was surprised when one didn’t materialize (more on that later).
I didn’t belabor the point (of work) or even bring it up for that matter. The extension of an offer was something which a part of me had been dreading in any event. The truth is, I worked really, really hard while I was at this place. So hard, I wound up in the hospital and I never got the sense any of that work was appreciated.
When I first started, I hoped to stick and maybe build a place for myself within the organization. I really wanted to build a department which ran well, where it was fun to work and which did good work. In my naïveté, I failed to realize how tall an order that is.
It’s hard to manage people. It occurred to me after this experience, none of the people I had worked for over the last few years had been trained to be managers. None of those people had business degrees or were business majors (not that you have to be a business major to lead people). Leading people isn’t an easy thing to do and I learned this the hard way (by making mistakes). In some instances, I think the ideas I had going in worked and in others they failed miserably. If I came away with one thing, it was the lesson you can’t paint with a broad brush - each person is an individual and though you would like to treat everyone in the same manner, you just can’t because of the personalities involved (and I’m not giving myself any pass here folks, because I have just as much personality as anyone else). Add to the mix, I didn’t get the support of the person directly above me.
There are different styles of management and one kind is to pit people against each other - I knew about that inherent character trait of the person bringing me in so, I shouldn’t be surprised (but then, don’t we always think things will be different for us). I had witnessed it happening to other people in the past and this time it happened to me. Like I said, no surprise.
I still look back and feel the experience was a success, considering the parameters of the assignment and also the fact there was really bad client management. I built up a level of trust with the client and it worked to my advantage when I had to deal with them directly but, in many instances there was a belief that client management meant yessing the client to death.
I was really, really proud (pleased?) of the work done by some of the people I bought in (H and S). I don’t think their work was acknowledged either but, that’s the business we’re in. I made sure they knew when I thought they did a good job, I think we made a good team. I hope they liked working with me and that I’ll get a chance to work with them again at some point down the road.
Anyway, so I think a mutual friend actually got an offer and wound up taking it.
And, it’s one of those good news, bad news things:
Nobody likes to be left standing alongside the wall at the dance (even if you’re not really interested in dancing) and petty as it sounds you still find yourself fighting the pangs of jealousy
Then again, having lived the experience, you know it’s a tough dance.
I hope the other person will be a more graceful dancer (and since it’s a friend, that’s an earnest hope) but, I’ve danced with that partner and had my toes stepped on, it’s hard not to see the same thing happening again.
Aug 11, 2003
Good article in Business Week Online: Commentary: Outsourcing Jobs: Is It Bad?
This is one of those issues that will frame the 2004 Presidential Campaign and politics in our country for the next decade.
This is one of those issues that will frame the 2004 Presidential Campaign and politics in our country for the next decade.
Over the weekend, I caught Al Gore‘s speech at NYU on C-SPAN. Somebody down at the DNC should wake up, he almost won in 2000 and after listening to his speech I’d seriously consider him in the next election.
Aug 8, 2003
I was watching the Daredevil DVD last night.
Perhaps I should qualify that, I was trying to watch the Daredevil DVD last night but, it’s very close to unwatchable.
I tried watching the movie the other day and found I couldn’t make it far past the first reel - it’s just that bad. I wasn’t surprised since it’s one of the few movies I actually fell asleep watching in the theater. I thought it might have had to do with me maybe being tired or something but, it really is that bad.
It could be used as a sleep aid.
The big selling point of the DVD was all the bonus material supposed to be a part of the set. Last night I wanted to check some of the bonus material out.
They had a documentary with the guys responsible for doing the Daredevil comic through the years.
I watched Stan Lee, John Romita and Gene Colan all of which were really interesting to hear from and about. “Old school” guys who had spent lots and lots of years making comics. Each had an interesting slant on the character and their own work - lots of fun.
Then, Frank Miller came on - I like Frank Miller’s work - sometimes.
His original and second runs on Daredevil were very entertaining and he hit a chord with the character that rejuvenated the title.
After about 15 minutes though, it was like enough already! Get over yourself!
Stan Lee created the character and didn’t drone on for as long as Frank Miller did! I had to stop the DVD I couldn’t make it all the way through. I’ll go back and watch some more of it later (if I can). As good as Miller was on his run, he’s part of the reason the book hasn’t developed since, nobody can go past what he did with the character. Between him and Kevin Smith they taken something that should have been really good and just buried it under all this unnecessary baggage. These guys take themselves way to seriously.
Perhaps I should qualify that, I was trying to watch the Daredevil DVD last night but, it’s very close to unwatchable.
I tried watching the movie the other day and found I couldn’t make it far past the first reel - it’s just that bad. I wasn’t surprised since it’s one of the few movies I actually fell asleep watching in the theater. I thought it might have had to do with me maybe being tired or something but, it really is that bad.
It could be used as a sleep aid.
The big selling point of the DVD was all the bonus material supposed to be a part of the set. Last night I wanted to check some of the bonus material out.
They had a documentary with the guys responsible for doing the Daredevil comic through the years.
I watched Stan Lee, John Romita and Gene Colan all of which were really interesting to hear from and about. “Old school” guys who had spent lots and lots of years making comics. Each had an interesting slant on the character and their own work - lots of fun.
Then, Frank Miller came on - I like Frank Miller’s work - sometimes.
His original and second runs on Daredevil were very entertaining and he hit a chord with the character that rejuvenated the title.
After about 15 minutes though, it was like enough already! Get over yourself!
Stan Lee created the character and didn’t drone on for as long as Frank Miller did! I had to stop the DVD I couldn’t make it all the way through. I’ll go back and watch some more of it later (if I can). As good as Miller was on his run, he’s part of the reason the book hasn’t developed since, nobody can go past what he did with the character. Between him and Kevin Smith they taken something that should have been really good and just buried it under all this unnecessary baggage. These guys take themselves way to seriously.
Aug 7, 2003
On the news front, Kristen mentioned in her last email that a place where she had submitted her portfolio for work managed to lose the portfolio. They told her to bill them. I don’t have any experience on what to charge but, if anyone has gone through this and has an idea of a good number, please pass it along. Of course for those of you who know Kristen, if you have an old Dow Jones AR with a curve on it, that’s one of the pieces she’s trying to track down. I can’t imagine what that’s like - it just sounds horrible.
Well, the pile’s gotten really large and I wanted to go through most of it before doing the round up of books for those who’re interested (if you’re not one of those people just skip this post).
JSA #50 - Leading off, the conclusion to a big storyline in JSA (Princes of Darkness). The problem with big stories like this is there’s a tendency to lose track of characters because of the scope of the story and that’s the case here. Art is solid, story is good, another issue in a solid title but comes in at a 6 on the 10 scale.
Fantastic Four #500 - Another big wrapup of a major storyline. Waid manages to bring everything to a big conclusion and this succeeds where JSA fails. Mainly due to the smaller scope (four lead characters, three supporting characters and the villain). Nice hook the the story and a really good surprise ending which I won’t spoil but to say Dr. Doom finally does get his long awaited revenge on Reed Richards. Great art which is overworked by the coloring, solid 8.5 on the 10 scale.
Batgirl #42 - Good story, cluttered art. As stated before the title is losing its focus and its way. Not much else to say about it although there’s a nice little exchange between the Big Red S and The Dark Knight at the end that’s worth scoping out. Another 5 on the 10 scale.
Hunter, The Age of Magic #25 - Book goes out on a good note. If you haven’t been following the series, it’s not worth licking up. Horrocks and Case are competent. Wraps up most of the dangling plotlines. Nothing Spectacular. 5 on the 10 scale.
Hulk #57 - Marvel doesn’t seem to be able to cash in on things sometimes. Following the beginning of this storyline which started in the 25¢ issue released to coincide with movie’s debut, this story doesn’t generate the suspense it should be generating. I’m souring on Fernandez’ art which while good, doesn’t excite at all (maybe it’s the choices he makes storytelling-wise). Bruce Jones is writing himself into a corner. 4 on the 10 scale (and that might be generous).
Wonder Woman #194 - I picked this up on a lark. Walt Simonson and Jerry Ordway had taken over the title recently and I thought I would see what they were doing with the book. Another one of those big wrapups which there seem to be so many of this month. I like Ordway’s art but I’d really like to see him on JLA, JSA or some other DC title. Simonson does what he can with the story (which seems like a thousand other Wonder Woman stories I’ve read). 5 on the 10 scale.
Green Arrow #28 - Going down the tubes really fast. Seems to have lost its way. Time for the editor to step in before it winds up being canceled again. Winick isn’t a good choice for the book and Hester‘s art would probably be more palatable if the story were better. 4 on the 10 scale.
Doom Patrol #22 - This title bows out. I never was that crazy about what Arcudi was doing with the book. This was a title that took the place of Suicide Squad (which was infinitely better and didn’t get the chance this title did). Tan Eng Huat’s art is distinctly different but it wasn’t really suited for this title. He might be better used on a Vertigo or Wildstorm book. Nothing spectacular in terms of wrapup but, anything beats the Ann Nocenti wrapup of Spider Woman which Brian worked on. 4 on the 10 scale.
Amazing Spider Man #55 - POW! 10! Solid through and through. JMS takes on a writing partner and nothing suffers for it. Tight art as always by J.R. JR. Really great angle on the story, fun read. Amazing how effortless this title makes it seem. Worth picking up even for the non comics buyer, just a plain fun book. Again, 10 on the 10 scale!
Adventures of Super Man #618 - Joe Casey who does such a great job on other titles (I believe he’s responsible for the current incarnation of WildCats which is just terrific), stinks up the joint here. Interesting slant on an old character from the Superman mythos but, whether it’s the art or the story something isn’t working in this book. 4 on the 10 scale.
StormWatch Team Achilles #13 - I originally picked this book up just thinking to read an issue and now find myself wanting to go back and find the other issues. Interesting storyline with good character development. Good mix of scifi, super hero, spy thriller. Like what’s going on in this book. This issue is actually a good jumping on point (although I would suggest getting #12 as well). 8 on the 10 scale.
Black Panther #62 - It’s really not clear to me whether or not the title has been canceled or not. The current storyline was wrapped up in this issue but, it had the feel that that might be it. More]s the pity. A lot of ink was given the book on the boards and it had become a real favorite of people who picked it up. Count me among those people because once I picked up the title on a regular basis I found myself hooked. Priest and Califiore do a great job 7.5 on the 10 scale.
Hellblazer #185 - hellblazer runs through periods like this. The title gets boring, loses track. A new team comes in and may not have the feel for the character. The art is good but, something is missing in the story. I’ve been following Hellblazer for a long time so, I pick it up out of habit as much anything else but, this ranks a paltry 4 on the 10 scale.
Gotham Central #9 - This book keeps getting better and better. The addition of “Josie Mac” character, previously the backup feature in Detective is welcome. This is one of the books I look forward to each month. It’s a terrific marriage of story and art and I highly recommend it. I’ve become really taken with Michael Lark’s art. He makes good choices in his storytelling and it shows - the guy can draw. As I said, the story is great and it’s definitely a book worth checking out. 8 on the 10 scale.
Batgirl, Year One #8 - If you haven’t picked this title up yet, you may want to wait for the trade. I don’t know how the book is doing and whether or not back issues are hard to come by but, it is simply eye candy. Scott Beatty captures an innocence and naivete that works perfectly within the context of this story. The art (and color) is just beautiful. 9 on the 10 scale.
Robin #116 - The big news is that Jon Lewis is being replaced on this book by Bill Willingham. The general consensus on the boards is that the title has languished under Lewis’ tenure. I like the character and follow it with devotion. There’s just something in the way DC has managed to flesh out Tim Drake’s character. This issue deals with a surprise party that’s the backdrop for a new storyline (Lewis’ last), the story and art are great 6.5 on the 10 scale.
Superman: Metropolis #6 - Chuck Austen is managing to do something really interesting in this book, he‘s fleshing out the character of Jimmy Olsen and taking the whole dynamic between Jimmy and Supes into a new direction which should prove fruitful for materials for years to come. Also, he’s been filling in the gaps in the backstory in the current Superman books. Zezelj’s art took some getting used to but works on the title. A fun read at 6.5 on the 10 scale.
Legion #22 - Part four of Dream Crime brings some long absent Legionairres back into the spotlight. The title is starting to flag a little under Abnett and Lanning. It’s a good book, don’t get me wrong but for some reason it’s just not a very exciting book. Batista’s pencils are beautiful to look at though. 5 on the 10 scale.
Captain Marvel #12 - This is the wrapup of the Coven storyline (part 4 of 4). It’s a story which could’ve been told in two issues instead of four but, that’s how things have been going on this book lately. I don’t have any great love for Reis/Sotomayor’s art, it’s just not working for me. The modeled coloring over pencils isn’t working. It’s a gimmick that should be dropped in favor of a cleaner, crisper, clearer style. Overall, David]s writing has been taking a bit of a hit since the whole U-Decide stunt. He took the book in a new direction and even though sales figures may have increased I think this will be my last issue buying the book. What I once really enjoyed was David’s snappy dialogue that would sometimes catch me laughing out loud over the banter. The humor in this title is gone now and he‘s taken the lead character in a much darker direction. It’s not working. 3 on the 10 scale.
Superman #195 - Seagle and McDaniel turn in a superior effort. As mentioned before, I’m a big fan of McDaniel’s. Seagle has crafted enough of a mystery to make me anxious to read the next chapter. 7 on the 10 scale.
Batman: Gotham Knights #43 - Beatty crafts a decent tale but Robinson’s artwork isn’t my cup of tea. Good story, great cover (Bolland) mediocre interior art. 5 on the 10 scale.
HERO #6 - Last one out, turn off the lights. I’m out of here on this title. Whatever buzz this has generated has fallen flat as far as I’m concerned, not worth any further investment of time or money on my part. 1 on the 10 scale.
Hawkman #17 - This book is an easy read. Rags Morales art is just so compelling to look at. Really dynamic and beautiful. If I have a knock on the book, it’s whatever is happening from issue to issue doesn’t leave enough of a mark. On Johns other books (notably Flash and Avengers), the stories are so suspenseful you breathlessly await each chapter. On Hawkman for whatever reason, there’s drama in the title but, it doesn’t leave any lasting impression or carry over each month - kind of like a meal where you’re hungry a half an hour later. A bit of fluff but still fun 6 on the 10 scale.
Daredevil #49 - Brian Michael Bendis is at it again. The Kingpin returns. It’s like the title can’t survive without the Kingpin’s ominous presence in the background of the title. In a word, bleech. I wish he would move things away from that. Maleev‘s art is just awesome (take note it’s everything they’re trying on Captain Marvel but, here it works). Plus there’s an appearance by Bullseye who looks like the Bullseye from the DD movie (ewwww). The hero/celebrity thing is getting a little long in tooth. The book is better than I’m making it out to be. 6.5 on the 10 scale.
Spectacular Spider Man #1 - Paul Jenkins is back in full force. It‘s the beginning of a five part story arc taking Spidey’s nemesis Venom in a new direction. Humberto Ramos is back to, looking terrific. Some background characters are introduced which I could live without but, then again, I don’t know what Jenkins has in store for those characters or whether they’re just window dressing. 7 on the 10 scale.
Spectacular Spider Man #2 - Picked up both of these around the same time. The second issue maintained the level of quality and threw a couple of good curves into the storyline as well. Still solid at 7 out of 10.
Wildcats 3.0 #12 - This is the book Joe Casey sings on! It’s his best work and makes me understand why some people rave about his writing. It has a compelling story and Dustin Nguyen’s art is fantastic. This has become one of my favorite books. Pick it up and you’ll see why. If this comes out in a trade (or it may already be available in a tpb) be sure to pick it up. What all comics should aspire to. Sharp writing, good dialogue, really super art. 9 on the 10 scale.
Fantastic Four #501 - Good follow up to the 500th issue as the lead characters are stuck dealing with the aftermath of events leading up to the last issue’s climax. Everyone is coping with the scars from that battle, both emotional and physical. The FF are currently experiencing a renaissance of sorts that will most likely end when Waid‘s run on the book ends. The news on the grapevine is the editorial direction is going to take the book more into the vein of a family situation comedy along the lines of what the proposed movie is supposed to be (uugghhh). Casey Jones art is very easy on the eyes. Harkens back to the better days of the title and a nice buy for any longtime fan of the FF. 9 on the 10 scale.
The Flash #200 - Very satisfying conclusion to the current storyline. Unfortunately also Scott Collins last issue handling the art chores - I’m not sure if I’ll be liking the new guy. Still could be a good jumping on point. Overall, this has been (and I hope will continue to be) one of my favorite books month in and month out. 9 out of 10.
New X Men #143 - I’m liking the current storyline a great deal but, Chris Bachelo’s art which I loved so much on the Death one shot and Shade series has undergone a big change (which started in New Mutants and continued in Steampunk). It’s well drawn, Bachelo knows what he]s doing and he can draw but, something about it is really numbing - too much. Whether it‘s too much line work or too much clutter in a panel, I’m not sure. Bachelo needs to step back a little bit though - he would probably make his life a lot easier too if he did. Morrison continues to take the book in the strange new (but appealing) direction he’s taken it over the last year (or is it two now). It‘s the only X-book I buy each month. Worth checking out. 7 on the 10 scale.
Catwoman #21 - Every once in a while a book can surprise you. This issue of Catwoman does exactly that with a really charming story. Lots of fun to read. I still stand by my comments regarding Stewart‘s art (too many panels per page). I don’t think I’ll be sticking with the book when Gulacy takes over. Overall though an improvement over the last issue, 6 on the 10 scale.
Batman #617 - Technically a well drawn book but, I’ve tired of Jeph Loeb and this issues’ confirms that with the mysterious villian who has been in the background these last few months finally revealed. I didn’t like it. I’m waiting for Loeb and Lee to leave the title and holding my nose until they do. 5 on the 10 scale.
Hulk #58 - Hide in Plain Sight part 4. Danger, danger title tanking fast. Fernandez just doesn’t work on this book (his art is good but, the combo of his art with Jones’ writing is just a bad combo). Needs to move in a new direction or get back on track. 3 out of 10.
Thor #65 - Dan Jurgens is really busting a gut writing this book and trying to make it interesting. He’s doing his best, no knock on him and the Lai brothers art is great. Something just isn’t clicking for me on this book though. I can’t tell what’s wrong with it but, I know something just isn’t right. Could get dropped soon (do I see a trend among the Marvel titles?) 5 on the 10 scale.
Lucifer #40 - I like this title but, it’s an acquired taste. If your not into this kind of book you won’t find it appealing at all. Carey and Gross do a good job on this book and I’m enjoying the current storyline. 6 on a 10 scale.
Red #1 - The jury is out on the premiere issue of this Warren Ellis series involving an ex CIA hit man who was just too good at his job and knows too much to be allowed to live. Art chores are handled by Cully Hammer (who I think was on Green Arrow). Things work, I just don’t know if this is something I want to follow. 4 on the 10 scale (but waiting to see what happens).
Strangers in Paradise #58 - Terry Moore is an autuer. Strangers in Paradise is a labor of love and it’s celebrating it’s 10th anniversary. It’s a small, self published book by Moore who has shown a deft hand in his writing and a strong hand in his art. Really a joy to read and I can’t recommend it highly enough. If you’re intimidated by coming in late, thumb through a couple of the trades to see if you like it. The lead characters are two women whose friendship keeps them bumping up against each other, as they try to figure out whether they’re lovers or just friends. This is a title that has a broader appeal than the “long underwear” books for boys. Really shows what the medium can be. 10 on the 10 scale (not too many books get that rating either).
Global Frequency #1, #2, #3 and #10 - Filling out those missing back issues. This title doesn’t disappoint. Definitely worth getting the trade (as it’ll be hard to follow the complete run due to scarcity of back issues). Each issue features a different artist but, the art is always good. In order it’s about a human bomb in San Francisco, the 500 million dollar man, something reminiscent of a Craig Thomas novel I read and a knock down, drag out alley fight. Fun through and through. 8 on the 10 scale for all.
JSA #50 - Leading off, the conclusion to a big storyline in JSA (Princes of Darkness). The problem with big stories like this is there’s a tendency to lose track of characters because of the scope of the story and that’s the case here. Art is solid, story is good, another issue in a solid title but comes in at a 6 on the 10 scale.
Fantastic Four #500 - Another big wrapup of a major storyline. Waid manages to bring everything to a big conclusion and this succeeds where JSA fails. Mainly due to the smaller scope (four lead characters, three supporting characters and the villain). Nice hook the the story and a really good surprise ending which I won’t spoil but to say Dr. Doom finally does get his long awaited revenge on Reed Richards. Great art which is overworked by the coloring, solid 8.5 on the 10 scale.
Batgirl #42 - Good story, cluttered art. As stated before the title is losing its focus and its way. Not much else to say about it although there’s a nice little exchange between the Big Red S and The Dark Knight at the end that’s worth scoping out. Another 5 on the 10 scale.
Hunter, The Age of Magic #25 - Book goes out on a good note. If you haven’t been following the series, it’s not worth licking up. Horrocks and Case are competent. Wraps up most of the dangling plotlines. Nothing Spectacular. 5 on the 10 scale.
Hulk #57 - Marvel doesn’t seem to be able to cash in on things sometimes. Following the beginning of this storyline which started in the 25¢ issue released to coincide with movie’s debut, this story doesn’t generate the suspense it should be generating. I’m souring on Fernandez’ art which while good, doesn’t excite at all (maybe it’s the choices he makes storytelling-wise). Bruce Jones is writing himself into a corner. 4 on the 10 scale (and that might be generous).
Wonder Woman #194 - I picked this up on a lark. Walt Simonson and Jerry Ordway had taken over the title recently and I thought I would see what they were doing with the book. Another one of those big wrapups which there seem to be so many of this month. I like Ordway’s art but I’d really like to see him on JLA, JSA or some other DC title. Simonson does what he can with the story (which seems like a thousand other Wonder Woman stories I’ve read). 5 on the 10 scale.
Green Arrow #28 - Going down the tubes really fast. Seems to have lost its way. Time for the editor to step in before it winds up being canceled again. Winick isn’t a good choice for the book and Hester‘s art would probably be more palatable if the story were better. 4 on the 10 scale.
Doom Patrol #22 - This title bows out. I never was that crazy about what Arcudi was doing with the book. This was a title that took the place of Suicide Squad (which was infinitely better and didn’t get the chance this title did). Tan Eng Huat’s art is distinctly different but it wasn’t really suited for this title. He might be better used on a Vertigo or Wildstorm book. Nothing spectacular in terms of wrapup but, anything beats the Ann Nocenti wrapup of Spider Woman which Brian worked on. 4 on the 10 scale.
Amazing Spider Man #55 - POW! 10! Solid through and through. JMS takes on a writing partner and nothing suffers for it. Tight art as always by J.R. JR. Really great angle on the story, fun read. Amazing how effortless this title makes it seem. Worth picking up even for the non comics buyer, just a plain fun book. Again, 10 on the 10 scale!
Adventures of Super Man #618 - Joe Casey who does such a great job on other titles (I believe he’s responsible for the current incarnation of WildCats which is just terrific), stinks up the joint here. Interesting slant on an old character from the Superman mythos but, whether it’s the art or the story something isn’t working in this book. 4 on the 10 scale.
StormWatch Team Achilles #13 - I originally picked this book up just thinking to read an issue and now find myself wanting to go back and find the other issues. Interesting storyline with good character development. Good mix of scifi, super hero, spy thriller. Like what’s going on in this book. This issue is actually a good jumping on point (although I would suggest getting #12 as well). 8 on the 10 scale.
Black Panther #62 - It’s really not clear to me whether or not the title has been canceled or not. The current storyline was wrapped up in this issue but, it had the feel that that might be it. More]s the pity. A lot of ink was given the book on the boards and it had become a real favorite of people who picked it up. Count me among those people because once I picked up the title on a regular basis I found myself hooked. Priest and Califiore do a great job 7.5 on the 10 scale.
Hellblazer #185 - hellblazer runs through periods like this. The title gets boring, loses track. A new team comes in and may not have the feel for the character. The art is good but, something is missing in the story. I’ve been following Hellblazer for a long time so, I pick it up out of habit as much anything else but, this ranks a paltry 4 on the 10 scale.
Gotham Central #9 - This book keeps getting better and better. The addition of “Josie Mac” character, previously the backup feature in Detective is welcome. This is one of the books I look forward to each month. It’s a terrific marriage of story and art and I highly recommend it. I’ve become really taken with Michael Lark’s art. He makes good choices in his storytelling and it shows - the guy can draw. As I said, the story is great and it’s definitely a book worth checking out. 8 on the 10 scale.
Batgirl, Year One #8 - If you haven’t picked this title up yet, you may want to wait for the trade. I don’t know how the book is doing and whether or not back issues are hard to come by but, it is simply eye candy. Scott Beatty captures an innocence and naivete that works perfectly within the context of this story. The art (and color) is just beautiful. 9 on the 10 scale.
Robin #116 - The big news is that Jon Lewis is being replaced on this book by Bill Willingham. The general consensus on the boards is that the title has languished under Lewis’ tenure. I like the character and follow it with devotion. There’s just something in the way DC has managed to flesh out Tim Drake’s character. This issue deals with a surprise party that’s the backdrop for a new storyline (Lewis’ last), the story and art are great 6.5 on the 10 scale.
Superman: Metropolis #6 - Chuck Austen is managing to do something really interesting in this book, he‘s fleshing out the character of Jimmy Olsen and taking the whole dynamic between Jimmy and Supes into a new direction which should prove fruitful for materials for years to come. Also, he’s been filling in the gaps in the backstory in the current Superman books. Zezelj’s art took some getting used to but works on the title. A fun read at 6.5 on the 10 scale.
Legion #22 - Part four of Dream Crime brings some long absent Legionairres back into the spotlight. The title is starting to flag a little under Abnett and Lanning. It’s a good book, don’t get me wrong but for some reason it’s just not a very exciting book. Batista’s pencils are beautiful to look at though. 5 on the 10 scale.
Captain Marvel #12 - This is the wrapup of the Coven storyline (part 4 of 4). It’s a story which could’ve been told in two issues instead of four but, that’s how things have been going on this book lately. I don’t have any great love for Reis/Sotomayor’s art, it’s just not working for me. The modeled coloring over pencils isn’t working. It’s a gimmick that should be dropped in favor of a cleaner, crisper, clearer style. Overall, David]s writing has been taking a bit of a hit since the whole U-Decide stunt. He took the book in a new direction and even though sales figures may have increased I think this will be my last issue buying the book. What I once really enjoyed was David’s snappy dialogue that would sometimes catch me laughing out loud over the banter. The humor in this title is gone now and he‘s taken the lead character in a much darker direction. It’s not working. 3 on the 10 scale.
Superman #195 - Seagle and McDaniel turn in a superior effort. As mentioned before, I’m a big fan of McDaniel’s. Seagle has crafted enough of a mystery to make me anxious to read the next chapter. 7 on the 10 scale.
Batman: Gotham Knights #43 - Beatty crafts a decent tale but Robinson’s artwork isn’t my cup of tea. Good story, great cover (Bolland) mediocre interior art. 5 on the 10 scale.
HERO #6 - Last one out, turn off the lights. I’m out of here on this title. Whatever buzz this has generated has fallen flat as far as I’m concerned, not worth any further investment of time or money on my part. 1 on the 10 scale.
Hawkman #17 - This book is an easy read. Rags Morales art is just so compelling to look at. Really dynamic and beautiful. If I have a knock on the book, it’s whatever is happening from issue to issue doesn’t leave enough of a mark. On Johns other books (notably Flash and Avengers), the stories are so suspenseful you breathlessly await each chapter. On Hawkman for whatever reason, there’s drama in the title but, it doesn’t leave any lasting impression or carry over each month - kind of like a meal where you’re hungry a half an hour later. A bit of fluff but still fun 6 on the 10 scale.
Daredevil #49 - Brian Michael Bendis is at it again. The Kingpin returns. It’s like the title can’t survive without the Kingpin’s ominous presence in the background of the title. In a word, bleech. I wish he would move things away from that. Maleev‘s art is just awesome (take note it’s everything they’re trying on Captain Marvel but, here it works). Plus there’s an appearance by Bullseye who looks like the Bullseye from the DD movie (ewwww). The hero/celebrity thing is getting a little long in tooth. The book is better than I’m making it out to be. 6.5 on the 10 scale.
Spectacular Spider Man #1 - Paul Jenkins is back in full force. It‘s the beginning of a five part story arc taking Spidey’s nemesis Venom in a new direction. Humberto Ramos is back to, looking terrific. Some background characters are introduced which I could live without but, then again, I don’t know what Jenkins has in store for those characters or whether they’re just window dressing. 7 on the 10 scale.
Spectacular Spider Man #2 - Picked up both of these around the same time. The second issue maintained the level of quality and threw a couple of good curves into the storyline as well. Still solid at 7 out of 10.
Wildcats 3.0 #12 - This is the book Joe Casey sings on! It’s his best work and makes me understand why some people rave about his writing. It has a compelling story and Dustin Nguyen’s art is fantastic. This has become one of my favorite books. Pick it up and you’ll see why. If this comes out in a trade (or it may already be available in a tpb) be sure to pick it up. What all comics should aspire to. Sharp writing, good dialogue, really super art. 9 on the 10 scale.
Fantastic Four #501 - Good follow up to the 500th issue as the lead characters are stuck dealing with the aftermath of events leading up to the last issue’s climax. Everyone is coping with the scars from that battle, both emotional and physical. The FF are currently experiencing a renaissance of sorts that will most likely end when Waid‘s run on the book ends. The news on the grapevine is the editorial direction is going to take the book more into the vein of a family situation comedy along the lines of what the proposed movie is supposed to be (uugghhh). Casey Jones art is very easy on the eyes. Harkens back to the better days of the title and a nice buy for any longtime fan of the FF. 9 on the 10 scale.
The Flash #200 - Very satisfying conclusion to the current storyline. Unfortunately also Scott Collins last issue handling the art chores - I’m not sure if I’ll be liking the new guy. Still could be a good jumping on point. Overall, this has been (and I hope will continue to be) one of my favorite books month in and month out. 9 out of 10.
New X Men #143 - I’m liking the current storyline a great deal but, Chris Bachelo’s art which I loved so much on the Death one shot and Shade series has undergone a big change (which started in New Mutants and continued in Steampunk). It’s well drawn, Bachelo knows what he]s doing and he can draw but, something about it is really numbing - too much. Whether it‘s too much line work or too much clutter in a panel, I’m not sure. Bachelo needs to step back a little bit though - he would probably make his life a lot easier too if he did. Morrison continues to take the book in the strange new (but appealing) direction he’s taken it over the last year (or is it two now). It‘s the only X-book I buy each month. Worth checking out. 7 on the 10 scale.
Catwoman #21 - Every once in a while a book can surprise you. This issue of Catwoman does exactly that with a really charming story. Lots of fun to read. I still stand by my comments regarding Stewart‘s art (too many panels per page). I don’t think I’ll be sticking with the book when Gulacy takes over. Overall though an improvement over the last issue, 6 on the 10 scale.
Batman #617 - Technically a well drawn book but, I’ve tired of Jeph Loeb and this issues’ confirms that with the mysterious villian who has been in the background these last few months finally revealed. I didn’t like it. I’m waiting for Loeb and Lee to leave the title and holding my nose until they do. 5 on the 10 scale.
Hulk #58 - Hide in Plain Sight part 4. Danger, danger title tanking fast. Fernandez just doesn’t work on this book (his art is good but, the combo of his art with Jones’ writing is just a bad combo). Needs to move in a new direction or get back on track. 3 out of 10.
Thor #65 - Dan Jurgens is really busting a gut writing this book and trying to make it interesting. He’s doing his best, no knock on him and the Lai brothers art is great. Something just isn’t clicking for me on this book though. I can’t tell what’s wrong with it but, I know something just isn’t right. Could get dropped soon (do I see a trend among the Marvel titles?) 5 on the 10 scale.
Lucifer #40 - I like this title but, it’s an acquired taste. If your not into this kind of book you won’t find it appealing at all. Carey and Gross do a good job on this book and I’m enjoying the current storyline. 6 on a 10 scale.
Red #1 - The jury is out on the premiere issue of this Warren Ellis series involving an ex CIA hit man who was just too good at his job and knows too much to be allowed to live. Art chores are handled by Cully Hammer (who I think was on Green Arrow). Things work, I just don’t know if this is something I want to follow. 4 on the 10 scale (but waiting to see what happens).
Strangers in Paradise #58 - Terry Moore is an autuer. Strangers in Paradise is a labor of love and it’s celebrating it’s 10th anniversary. It’s a small, self published book by Moore who has shown a deft hand in his writing and a strong hand in his art. Really a joy to read and I can’t recommend it highly enough. If you’re intimidated by coming in late, thumb through a couple of the trades to see if you like it. The lead characters are two women whose friendship keeps them bumping up against each other, as they try to figure out whether they’re lovers or just friends. This is a title that has a broader appeal than the “long underwear” books for boys. Really shows what the medium can be. 10 on the 10 scale (not too many books get that rating either).
Global Frequency #1, #2, #3 and #10 - Filling out those missing back issues. This title doesn’t disappoint. Definitely worth getting the trade (as it’ll be hard to follow the complete run due to scarcity of back issues). Each issue features a different artist but, the art is always good. In order it’s about a human bomb in San Francisco, the 500 million dollar man, something reminiscent of a Craig Thomas novel I read and a knock down, drag out alley fight. Fun through and through. 8 on the 10 scale for all.
Aug 4, 2003
Escape.
There are so many things I try to escape. The past. The present. The future.
Maybe escape isn’t the right word, avoid might be better.
Case in point: I have this big pile of papers floating around the house. Receipts, bills and the like. All the deritus of a tax return. About ten years back I got in the habit of not filing. Paying but, not filing. Consequently, over the years, I have had to deal with all kinds of threatening letters, phonecalls and visits by the IRS as they try to terrorize me into paying them to go away.
Thankfully, my accountant has done a remarkable job when I have gotten him the necessary paperwork and has filed the necessary papers to save me thousands of dollars.
As he explained it to me, the IRS banks on people being terrified of them. They target people in a certain income bracket because they are more likely to just pay up and make the IRS go away than to fight it out. This excludes the very poor, who don’t have anything of value to speak of, and the very rich (or upper income brackets) who are more than likely to take the time and expense to get the help they need to stymie the claims against them.
This leaves the vanishing “middle class” of which I consider myself a member.
So, I keep getting these notices and usually I find myself overwhelmed with just the daily chores of living and work that I put off dealing with something that will make a significant difference in the quality of my life. Imagine, I’ve lived with this for ten years!
Anyway, I keep putting it off but, it’s getting to the point where even I’m annoyed by it so, now that things have freed up a little, it’s time to sit my ass down and sort through all those papers. Probably the job won’t be as bad as I think since I’ve already done a lot of the work and just need to finish (which is always the hardest part).
There are so many things I try to escape. The past. The present. The future.
Maybe escape isn’t the right word, avoid might be better.
Case in point: I have this big pile of papers floating around the house. Receipts, bills and the like. All the deritus of a tax return. About ten years back I got in the habit of not filing. Paying but, not filing. Consequently, over the years, I have had to deal with all kinds of threatening letters, phonecalls and visits by the IRS as they try to terrorize me into paying them to go away.
Thankfully, my accountant has done a remarkable job when I have gotten him the necessary paperwork and has filed the necessary papers to save me thousands of dollars.
As he explained it to me, the IRS banks on people being terrified of them. They target people in a certain income bracket because they are more likely to just pay up and make the IRS go away than to fight it out. This excludes the very poor, who don’t have anything of value to speak of, and the very rich (or upper income brackets) who are more than likely to take the time and expense to get the help they need to stymie the claims against them.
This leaves the vanishing “middle class” of which I consider myself a member.
So, I keep getting these notices and usually I find myself overwhelmed with just the daily chores of living and work that I put off dealing with something that will make a significant difference in the quality of my life. Imagine, I’ve lived with this for ten years!
Anyway, I keep putting it off but, it’s getting to the point where even I’m annoyed by it so, now that things have freed up a little, it’s time to sit my ass down and sort through all those papers. Probably the job won’t be as bad as I think since I’ve already done a lot of the work and just need to finish (which is always the hardest part).
Thank you Verizon.
Saturday night was the deadline for Verizon workers to go on strike, Sunday there was no phone service in our neighborhood. Now we did have a storm Saturday but, in 20 years we’ve never lost phone service and it happens on the strike deadline. Coincidence, I think not.
I find myself feeling bad for the Verizon workers who are stuck like the rest of us, fighting for benefits, trying to keep their jobs from being sent overseas. Then, I’m mad that I think someone might have sabotaged an exchange box taking down service for the neighborhood.
I’ve though about shutting down the house phone and just using the cell - which I would do if I had another option for going online besides my dialup (we’re too far from the local station for DSL and Optimum Online isn’t an option). I hate the dialup anyway, it’s realllllllyyyyy sllllooowww.
This is one of those good news/bad news things. The good news is it kept me off my ass sitting in front of the computer surfing away this weekend, the bad news was originally they had indicated service wouldn’t be restored until Wednesday which isn’t a problem for me but, isn’t good for my 80 year old father who should be able to call out if something happens to him.
Moot point anyway, since service was miraculously restored this morning.
Saturday night was the deadline for Verizon workers to go on strike, Sunday there was no phone service in our neighborhood. Now we did have a storm Saturday but, in 20 years we’ve never lost phone service and it happens on the strike deadline. Coincidence, I think not.
I find myself feeling bad for the Verizon workers who are stuck like the rest of us, fighting for benefits, trying to keep their jobs from being sent overseas. Then, I’m mad that I think someone might have sabotaged an exchange box taking down service for the neighborhood.
I’ve though about shutting down the house phone and just using the cell - which I would do if I had another option for going online besides my dialup (we’re too far from the local station for DSL and Optimum Online isn’t an option). I hate the dialup anyway, it’s realllllllyyyyy sllllooowww.
This is one of those good news/bad news things. The good news is it kept me off my ass sitting in front of the computer surfing away this weekend, the bad news was originally they had indicated service wouldn’t be restored until Wednesday which isn’t a problem for me but, isn’t good for my 80 year old father who should be able to call out if something happens to him.
Moot point anyway, since service was miraculously restored this morning.
Aug 2, 2003
“I urge the leaders in Europe and around the world to take swift, decisive action against terror groups such as Hamas, to cut off their
funding, and to support - cut funding and support, as the United States has done.” - Washington, D.C., June 25, 2003
Click on his picture for the complete Bushisms.
Last weekend was so busy, leading into it I had gotten together with Roberta who is on hiatus from her new job while they are closed for summer vacation.
We met in the city after I had lunch with Mike. Roberta was getting fabric at this store that’s been in the same location for 65 years.
It was a revelation for me because I had never been in that kind of store (a fabric vendor) in my entire life. To Roberta it’s old hat since she is such a skilled seamstress. What was amazing to me was not just the variety of fabric but the cost as well!
As Roberta was purchasing her material, I got into a conversation with one of the owners (because there were postcards all around the store) about the B & J Fabrics imminent move. I had said to him what a shame it was with the new Times Tower going up and the neighborhood changing.
Turns out the Times is responsible for his eviction! I thought the Times Tower was going up across from the Port Authority on the site of the parking lot that was on 8th Avenue between 41st and 42nd streets. Turns out it’s going to be a block south and the Times has been using all kinds of influence to have their way. The store’s owner was commenting on the hypocrisy of the situation since the Times often lambastes the city for giving just these kinds of sweetheart deals out. Then again, make your own call, read this article for the details.
I thought these kinds of businesses were protected since they were part of the garment district but, I guess it’s the same thing that happened to all the printers who used to line Varick and Hudson streets and wound up moving to Jersey and Queens.
Anyway, afterwards I wound up out in Brooklyn. We went out to Roberta’s neighborhood so her friend Paul - the best barber in Williamsburg could cut my hair.
I always stricken by the changes in that neighborhood every time I’m out there. Paul has been there for a long, long time and is a little more sanguine about the changes taking place.
We met in the city after I had lunch with Mike. Roberta was getting fabric at this store that’s been in the same location for 65 years.
It was a revelation for me because I had never been in that kind of store (a fabric vendor) in my entire life. To Roberta it’s old hat since she is such a skilled seamstress. What was amazing to me was not just the variety of fabric but the cost as well!
As Roberta was purchasing her material, I got into a conversation with one of the owners (because there were postcards all around the store) about the B & J Fabrics imminent move. I had said to him what a shame it was with the new Times Tower going up and the neighborhood changing.
Turns out the Times is responsible for his eviction! I thought the Times Tower was going up across from the Port Authority on the site of the parking lot that was on 8th Avenue between 41st and 42nd streets. Turns out it’s going to be a block south and the Times has been using all kinds of influence to have their way. The store’s owner was commenting on the hypocrisy of the situation since the Times often lambastes the city for giving just these kinds of sweetheart deals out. Then again, make your own call, read this article for the details.
I thought these kinds of businesses were protected since they were part of the garment district but, I guess it’s the same thing that happened to all the printers who used to line Varick and Hudson streets and wound up moving to Jersey and Queens.
Anyway, afterwards I wound up out in Brooklyn. We went out to Roberta’s neighborhood so her friend Paul - the best barber in Williamsburg could cut my hair.
I always stricken by the changes in that neighborhood every time I’m out there. Paul has been there for a long, long time and is a little more sanguine about the changes taking place.
Jul 30, 2003
Flipping channels late this afternoon, I came across a great report on The Newshour Show on PBS. Interesting story by Ray Suarez on SUVs (which you can listen to via RealAudio with the link). There was this middle aged woman, an advertising exec, who was justifying her reasons for buying and driving a H2 (the hummer). It reminded me of the frenzy at the Hummer pavilio0n at the New York Auto Show.
F**k this crap, you all get all the Hummers you want, I’m gonna go out and get myself an m-60 tank, so there! Try to cut me off now, you clowns!
What a great day today was! Today Sung and I met for lunch and then caught the Matrix Reloaded in spectacular IMAX. It was my first IMAX film. Beautiful weather, nice day for lunch al fresco. Great movie and then hanging in the park people watching, couldn’t have had a better time! I’m anxiously waiting to see Sung’s next project on bank robbers!
Jul 29, 2003
Jul 28, 2003
Speaking about the Mets, I went out to the game on Saturday night. It was the perfect night to go to a ballgame even if the Mets wound up losing. Aaron Heilman really pitched his heart out and I didn’t quite understand why he got lifted by Art Howe when he did - especially when the reliever that came in, Graeme Lloyd, immediately surrendered a bases clearing hit, turning a close game into a laugher.
Then today after the Reds won two out of three from the Mets, they fired Bob Boone and their GM, along with a bunch of coaches (including the guy who used to be the Mets hitting coach). The Mets meanwhile traded Lloyd to the Kansas City Royals for a hard throwing minor leaguer. The house cleaning continues but, I’m thinking next year will be a good year to get a Saturday plan again as I have that weird feeling the Mets are going to have a good scrappy team.
Then today after the Reds won two out of three from the Mets, they fired Bob Boone and their GM, along with a bunch of coaches (including the guy who used to be the Mets hitting coach). The Mets meanwhile traded Lloyd to the Kansas City Royals for a hard throwing minor leaguer. The house cleaning continues but, I’m thinking next year will be a good year to get a Saturday plan again as I have that weird feeling the Mets are going to have a good scrappy team.
This past weekend was a tough one for a Mets fan. Bob Murphy, the voice of the Mets announced his retirement.
I don’t know if radio has the same relevance or vibrancy for this generation it did for mine or earlier ones. I have a very clear memory of listening to Yankee broadcasts when the team was Frank Messer, Bill White (later president of the National League) and Phil Rizzuto. Bob Murphy outlasted them. He has been a voice of the Mets for my entire life.
There is always something about the tone and cadence of his voice that is warm and soothing like a summer day. He isn’t given over to exaggeration like the current crop of broadcasters seems to be (see John Sterling or Michael Kaye). He doesn’t have that signature home run call a lot of broadcasters seem to need these days. His only signature is the understated “happy recap” after a Mets win.
So it is truly the end of an era (especially when you consider that Bob Murphy has been broadcasting for the Mets since the team’s inception in 1962!). Speaking as a baseball fan and a Mets fan in particular, Bob Murphy you will be missed.
Jul 24, 2003
U.S. officials on Monday repatriated 12 Cubans who were intercepted at sea after allegedly hijacking a government boat and taking three Cuban security guards hostage.
I don’t know, if they consider this a boat, I wonder what a car is? This gives new meaning to the phrase “off-roading.” Anyone want to bet some clown in Detroit is figuring if they can make the next Ford Expedition do this?
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